Acrylic paint with a traditional high gloss finish Full Gloss is suitable for wood and metal surfaces both inside and out, and can also be used to create a dramatic effect on walls and ceilings.
Usage: high gloss finish for the trim and the metal inside and outside.
Gloss level : 95%
Environmental: Low VOC
Maintenance: Waterproof and resistant...
Acrylic paint with a traditional high gloss finish Full Gloss is suitable for wood and metal surfaces both inside and out, and can also be used to create a dramatic effect on walls and ceilings.
Usage: high gloss finish for the trim and the metal inside and outside.
Gloss level : 95%
Environmental: Low VOC
Maintenance: Waterproof and resistant to chipping, peeling and fading up to 6 years after application.
Drying time: Surface dry in 2-3 hours. Dark colors may take longer to dry. Surface hard the next day
Waiting time between 2 layers: 4 hours depending on conditions. Make sure the surface is completely hard before closing the doors and freshly decorated windows.
Coverage by potted m2 with 2 layers:
- 750ml: 4.5
- 2.5 liters: 15
Full Gloss There are 136 products.
Lulworth Blue No.89
Lulworth Blue has an unsurpassed freshness, typical of a formal mid-tone Regency blue and so happily sits alongside similarly clean Arsenic or Citron.
Cook's Blue No.237
Cook’s Blue was inspired by the romantic and poignant finish in the cook’s closet at Calke Abbey where the walls have been untouched over many decades.
Blue Ground No.230
Blue Ground when used on walls, creates an upbeat happy atmosphere so is much used in playrooms as an accent colour, alongside Slipper Satin or Clunch, either on a feature wall or on cabinetry.
St Giles Blue No.280
St Giles Blue, despite being inspired by a colour found in historic St Giles House is perfect for use on paneling for a very modern look.
Pitch Blue No.220
Pitch Blue, with its small dose of black pigment has an almost purple feel to it and is extremely lively in south facing rooms, especially when contrasted with All White or Charlotte's Locks.
Drawing Room Blue No.253
Drawing Room Blue is less purple than Pitch Blue and more lively than Stiffkey Blue.
Stiffkey Blue No.281
Stiffkey Blue is named after the north Norfolk beach where the mud, along with the cockles, is this particular blue hue.
Hague Blue No.30
Hague Blue gets its name from the strongly coloured exterior woodwork much used by the Dutch, and still works fantastically well to ground skirtings or as an accent colour in little boys' rooms when teamed with Borrowed Light on the walls.
Calluna No.270
Calluna takes its name from the beautiful heather so prolific across the moors of Scotland.
Brassica No.271
Brassica feels feminine and charming in light areas but due to its underlying black tone it becomes much more sophisticated and grey in dark areas.
Pelt No.254
Pelt is much bluer and more regal in feel than the similarly weighted Brinjal.
Manor House Gray No.265
Manor House Gray is a definite grey which retains its colour in all lights especially when contrasted with All White.
